





Its a long time since I have seen a movie that not only entertains you but leaves you feeling agitated...disturbed...inspired. A movie to which you can relate to, whose characters you can touch and feel because they are so rich, so colorful and so true.
Its been a long time since I can go to a movie with my American friends and not cringe at how absurd those funny aerobics dances in the wet sari look, how melodramatic the story is.....why the hero cries all the time....why none of the characters looks, acts or thinks like me.
Its a long time since I can show a movie to my friends and proudly say....."this is the country where I come from"...and No!....India is not in the Middle-East and that guy in a turban is not Osama.
This is my country with 1 Billion people with 200 religions and 30 states. This is my country which overcame 200 years of colonization, transforming it from the richest country in the world to one of the poorest. This is my country who won our independence due a movement of non-violence and non-cooperation. This is my country whose insistence on democratic processes has thrown it into a vicious cycle of chaos and corruption, but it is still flourishing in its own macabre way.
This is what I thought after seeing the movie yesterday.
Rang De Basanti is not a movie about patriotism, its a movie about Indians. Funnily, the protagonist of the movie is again a Britisher "Angrez", Sue, who comes to India to make a documentary on some freedom fighters about whom she gets to know from the diary of her late grandfather who was a British officer in India before 1947. Alice Patten who plays Sue radiates simplicity and passion at the same time. Let me say a BIG "Thank You" Alice. For once, I am not embarrassed to watch the token blonde on the Indian big screen who is usually reserved for the "Sam Fox" titillation, mouthing jingoistic hand fed dialogues or the evil bald headed rapist. She stands on her own. Sue comes to India in search of her Grandfather's legacy and does not immerse herself into displays of Indophilic or touristic activities. We could so easily expect Bappi Lahri trying to get her into a 2-piece bikini doing a namaste or getting drunk in a nightclub and seducing DJ to bed in a state of drunken stupor...no...her romance with DJ is subtle and romantic.
After having auditioned many in vain for her movie, Sue, aided by Sonia (Soha Ali Khan), meets a group of friends in whom she sees the characters of her documentary. The group consists of DJ (Aamir Khan), Aslam (Kunal Kapoor), Karan (Siddharth) and Sukhi (Sharman Joshi).
I entered the theater without any idea who this tomboyish chick was. Though I must say she has the trademarkish Sharmila Tagore looks. Instead, all I remember is her sunny positive disposition. "Ram Bismil kahan milega?"...."Mil Jayega", without a flutter. She is in love with Fl. Lft. Ajay Rathod (Madhavan), a Air Force officers who loves flying planes and loves his country. I bet we all have friends or family who remind us of Ajay Rathod.
Enter. DJ. DJ is originally Daljeet Singh from a Punjabi family consisting of a loving mother (excellently portrayed by Kiron Kher). A beer guzzler who is never serious about anything in life, DJ starts laying his charm on Sue the minute he sees her. Only Aamir Khan could have enacted the role of DJ, the good-humoured, bike-riding ex-graduate who is afraid to go beyond the life of college campus and friends. Aamir speaks his dialogues with a Punjabi accent, spicing his lines with an expletive here and there. But what is phenomenal about Aamir is that he is never out of character. His incredulity with Sue's hindi speaking skills "Oye yeh to hindi bolti hai yaar" is repeated again and again or his deep but comical "Ek pair past pe, te ek pair future me, isilye to hum aaj par mooth rahe hai".
This is where the story transcends the glass-ceiling of Bollywood and makes its appeal universal. It is a Sholay of the new Era. Where the Defence Minister is Gabbar and the group of 5 is the Basanti's village.
Aamir's presence doesn't dominate or overshadow other members of the cast. Every character in the film is well-defined and their screen presence is justified. You like the charm of Sharman Joshi as much as the intensity of Siddharth. Kunal Kapoor's sincerity is as appealing as the fire in Atul Kulkarni. British actress Alice Patten is poised and never appears to be fake even while mouthing Hindi dialogues. Needless to add Aamir Khan is superlative. From getting the Punjabi accent correct to transforming into a responsible citizen from a flippant ex-college student, Aamir gets all the nuances of his character perfect.
Karan is the silent one. Again, I found him strangely out-of-place in the first half. But maan does his character grow on you, he is the Holden Caulfield of the movie. As Bhagat Singh, he blows you apart in the way he potrays his character. "Hum attankwadi nahin krantikari hain". No flashy flamboyance or tatto-flashing typical of Bollywood actors trying to do bring a cheap Hollywood imagery to the big screen. Guys, yes, the ones who are dyeing their hair blonde, flashing their tattoos or driving the ferraris in Bandra....please..if people found that stuff appealing...they would be watching Tom Cruise in MI-3...yuck
Everytime, I watch Minorities represented in movies, it leaves me with a sugar-coated bad taste in the mouth. Sometimes its too good to be true or sometimes its too bad. Aslam finds the balance. He comes from a Muslim family and refuses to endorse the opinion that Muslims ought not mingle with Hindus. He writes poetry and displays a vulnerable sensitive person. Damn, I had a close friend like that. These guys need the support media provides to continue to trust their beliefs. Please give me more characters like that. Some feel he should have switch places with Karan. Maybe, but then he would be too good-looking to play the dark soulful character.
But it had to be the Saffron wearing Laxman Pandey who epitomizes genuinity. Not just as a person with strong convictions but his convincing potrayal of a RSS man. As a movie addict, I have a tendency to applaud when I see authentic potrayals of characters by method actors but there's always a small voice in the back of my head...hey he was acting. I did not doubt for a second that Laxman Pandey was anything other than a mumbai shiv sainik. Great casting and brilliant acting.
The humor and timing is impeccable.
There is always some comical antakshari going on. "sue kar mere mann ko kiya tune kya isara". Or Sukhi.. the haryanvi jat…
“aslam ki gali… khali balli khalli balli khalli balli, hum to hai talli talli, na bhula mein apne yaar ki galli… lamba mera yaar choti uski galli”
"tu ni sudharna... aye dudh dena band kar degi"
Kiron kher refering to the cow...being tortured by DJ by his dialogues
or the dark humor from Anupam Kher (hmmm....who is more brilliant Anupam or Kiron....husband or wife)
"In this SMS generation....Anything longer than four lines is a lecture!"
The Songs flow with the Rhythm of the movie. Thank God no "Tamha tamha do-ge" falling out of the blue for no rhyme or reason. What can be said of AR Rahman. A music composer's genius is when the background score is as riveting and relevant as the songs. The piano notes when the movie switches to the flashback is haunting. But puhleez, I think no Indian, NRI, man or women from 1950 to the Present would contest that there has been and will ever be a singer like Lata Mangeshkar.
Carlos Santana once said that if he ever went to Heaven and did not hear "Love Supreme" playing, he would turn back. I can safely say that if I ever reached heaven and didnt find Lata crooning "Mera saaya saath hoga", I would turn back like the rest of my 1 Billion fellow Indians.
Dont Miss the Lukka Chuppi song. I repeat. DO NOT MISS THIS SONG. I recommend that you do not blink either. It packs such a punch of colors and unforgettable scenery that you may want to see the movie just to enjoy all the elements of this beautiful collage.
But the movie would have faltered a la Reservoir Dogs with senseless murder and gory if it wasnt for Bhagat Singh. For anyone familiar with Indian Freedom movement, the story of Azad, Sukhdev, Rajguru and Bhagat Singh avenging Lala Lajpat Rai's death at the hands of Polic Chief Scott is legendary. This is a strong emotional moment which has been powering numerous Bollywood movies like Shaheed, The Legend of Bhagat Singh et. al. but none can create a political statement as strong as Rang De Basanti.
When Sonia says "Maar Dalo", it was history repeating itself. The bridge between the Indian Revolution and the Nuevo Revolution. We needed 'a loud noise so that the deaf could hear'. No, that was not Karan, it was Bhagat Singh on the floor of the assembly. The second half is reminiscent of Arjun but Arjun did not have Azad or Sukhdev. This is what makes the movie believable and inspiring at the same time.
But the best scene of the movie has to be the coming of age of DJ. His transformation from flippant ex-college student to a realistic human being. If there was ever a scene which I could bodly take my cynical stoic American friends to watch a male performer cry, it would be this. Because those were not tears of tragedy or drama....those were tears of frustration...hopelessness. "kuchh nahin badlega yahan. yahan tum system ko badloge, yeh system tumhe badlega." "Kitne Ajay ko marna padega". He then weeps to sleep in the arms of Sue. I guess if we had to separate Indians who grew up in the US from the Indians who grew up in India, all it takes is their reaction to this scene. Every Indian born Indian, however rich,successful, established, feels this stab of deep hopelessness when he talks about India. NRIs can never feel the frustration, pain of this juggernaut of a country who can take down the most resolute of people.
A close second would be Pandey's unsaid acknowledgement of hated Muslim counterpart...Aslam. Anything more than "I'm Sorry" would have made this entire sequence artificial and cheesy.
The performance by the supporting characters was as significant and memorable as the main characters. Aamir's Grandpa says "Rab,hamare bachho ki kurbani kabool karna." or Ajay Rathod's "koi bhi desh perfect nahi hota...use perfect banana parta hai." or McKinley's "I always though there were 2 kinds of men, those who go to their death screaming....and others who go to their death in silence...UNTIL i met the third kind..."
For those who found the ending illogical, all I have to say is that if it didnt end that way, it wouldnt have made sense. Sounds weird, but you see, the movie was a parallel to Bhagat Singh's. What he and Azad did was construed illogical and unrealistic but that's the way it was.
The last scene is reminiscent of "Butch Cassidy and the Sundance Kid" when Paul Newman and Robert Redford are cornered by the Army, unknown to them. "Lefors? No, why?" "Thank God for that. For a moment there I thought we were in trouble.". Freeze Frame. Here, DJ is telling Karan "Yaar, ek problem hai. Agar bacche honge toh patta nahin agar gore yah kale honge". And they burst out laughing. The Black Cat commandos burst in. Freeze Frame.